Vector Build Methods


Deconstructing my vector build methods.

If you follow my tutorials on IllustrationClass.com, than you're generally familiar with my creative process when it comes to building vector shapes.

I've been creating a lot of content for my new book lately, and decided last night to test a screen capture application I purchased recently.

I recorded the entire creation of an ornament design, documenting the vector build methods I use every day.


Final graphic ornament.

Above is an old school animated gif version of my process, and below is a condensed video of me building the ornament art shown in this post. The video is sped up so as not to exceed the 10 minute threshold YouTube mandates. It's about 5 minutes long, but in reality took me about 24 minutes to build. (Not including the initial drawing)

If you enjoy this you'll dig a project I'm working on that will be released in early 2011 that dives deep into the whole subject of vector build methods. But more about that later.





Drawsigner


"Drawsigner" Logo Mark.

I've been calling myself an Illustrative Designer for about six years now. It fits the type of work I do on a daily basis the best. A good mix of design oriented projects needing to be leveraged with an illustrative flair.

But over the last year I've condensed the term "Illustrative Designer" down to an even more simpler term of "Drawsigner." Once again it defines what I do on a daily basis. (Yes, I've secured the domain name)

I first revealed this new definition when I spoke at the AdFed group in Acadiana. My topic was named "Drawsigner" and I created the above logo of myself for it.


Tight refined sketches of ornament designs.

Earlier this year I posted about the new book I'm creating for HOW Books, now officially titled "Flourish.Banner.Frame."

I've spent the last year creating over 400 pieces of artwork for this volume of ornaments, borders, frames etc. My creative process for the creation of this content is all about being a drawsigner.


Frame motif design.

I draw out all my ornament designs, scan them in and build them out in vector form. I've spent a lot of late nights finessing bezier curves and wrestling with anchor point handles in order to create artwork that is precise and beautiful.


Ornament design.

Like my other two books, this new one will include artist features showcasing some of our industries best talent utilizing a piece of art from the book in their own unique way. It's been a blast seeing how incredibly creative the approaches have been from the featured artists.


Graphic ring design.

Those who follow me on Twitter are well aware of my rants regarding Adobe Illustrator at times.

I really can't complain though. On a project like this I'm essentially getting paid to create what ever I want. Of course I've been art directing myself along the way and I'm creating more content than what I need so I can isolate the very best for the book.

So enjoy the summer, and as the days roll along I'll continue to get frilly with it.