Collection of vectorized stamps from cities around the world.
Author unknown. Only for personal use.
1 AI : 3MB
Download
"Big city stamp collection""
Collection of vectorized stamps from cities around the world.
Author unknown. Only for personal use.
1 AI : 3MB
Download
I'll Crumble 4 Ya!
"Regal Garden" pattern texturized.
It's been almost three years since my texture book was published. But I've continued to grow my own personal archive of cool textures none the less.
The other day I was getting ready to put on an old "Bad Design Kills" t-shirt and noticed the white ink on the skull had started crumbling creating a very cool texture.
"Heavy Crackling" texture.
I call these moments of "Creative Curiousity" and when they arise I try not to ignore them but rather act upon them.
So I took the shirt and scanned it in and created an authentic looking visual resource you can use on any type of illustrative or design project. So enjoy this freebie texture provided by the second law of thermal dynamics.
Source File Specifications.
The "Heavy Crackling" texture download Includes the following:
- Layered Grayscale PSD File (Hi-Res, 12x10 inches @ 800 dpi)
- Bitmap Dithered Tiff Image (Hi-Res, 12x10 inches @ 300 dpi)
Download "Heavy Crackling" Texture. (File Size: 76.6MB)
"Simple 3D cubes"
Nice detailed 3D vector cubes from different angles.
Author unknown. Only for personal use.
1 AI : 2,5 MB
Download
"Albanian maps and flag"
The road, physical and simple map of albania. More maps coming up.
Author unknown. Only for personal use.
1 AI : 6,5 MB
Download
Heart Worm™
Heart Worm™ Character Design.
Armin Vit is like the Mark Twain of the design industry. He's talented, creative, and witty. So when he asked me to be part of the re-branding of Valentine's Day for NPR Studio 360 I was happy to contribute to the effort.
(cue mission impossible theme music)
My specific task was to re-create a character to replace the standard "Cupid." This whole effort is tongue in cheek so immediately an idea formed in my mind and that was "Heart Worm™."
I Heart VDAY!
I decided to give a graphic nod to one of our industries most iconic designs with this usage of the Heart Worm™.
Twitter name application.
The Heart Worm™ can easily be adapted to work in any social media environment.
Heart Worm™ LOVE.
A classic and timeless application of the Heart Worm™ demonstrating it's versatility.
So on Valentine’s Day let your heart be infested with the Heart Worm™. Its burrowing presence will give you passionate heart burn for the apple of your eye. Eat your heart out Cupid! Plus, it can flex into a number of helpful shapes as you can see above.
Read more about this whole project at Brand New.
Download Heart Worm™
Download the Heart Worm™ Brand SheetHeart Worm™ T-Shirt
- Infest Your Chest with our Unique Heart Worm™ Tee.
http://www.zazzle.com/heart_worm_tshirt-235510814215009727
"Chocolate speech bubbles"
A sweet small collection of some chocolate comic style speech bubbles.
Author unknown. Only for personal use.
1 AI : 150 KB
Download
"Tribal flame wings"
20 vector tribal flames for tattoos or logos.
Authors unknown. Only for personal use.
1 AI : 1,3 MB
Download
street art 2.0
Roberta Smith noted in her recent New York Times article that "street art," the "vibrant successor" of "graffiti art," "originated in San Francisco in the 1990s among artists on the fringe of the skateboard scene." the article was discussing Jeffrey Deitch's recent appointment to be director of MOCA(la) and noted that Deitch "more or less introduced New York to ... street art."
She is presumably referring to Barry McGee and the mission school. Roberta identified Barry as "a talented street artist from San Francisco" and noted that he "offers a cheerful reinterpretation of 80's graffiti art" in her review of his 1999 show @ Deitch. she further contended "although drips are plentiful among these images and some parts are casually painted out, Mr. McGee does not partake of the looseness and speed associated with graffiti art. His notion of finish is refined, even tight." in her review of his 2005 show, she identified "Barry McGee, who helped ignite the street-graffiti art renaissance that emanated from San Francisco in the 1990's."
in thinking about this over the past few years, i've tied "street art" to the global community that was connected through the web by sites such as Wooster Collective. the recent street art exhibit at the Tate Modern was practically curated by Wooster: four of the six artists/collectives (Blu, Faile, JR, and Os Gemeos) are stars of the blog. Moreover, the "long weekend" corresponding to the show also included Graffiti Research Labs, another Wooster Collective favorite, and a Wooster talk.
as a long time follower of Wooster, i have enjoyed watching the street art community flower globally. looking through a search of their "seen on the streets" postings turns up work from around the world (starting with Ann Arbor, Paris, Antwerp, Washington D.C., Bloomington, Manchester, London, Tehran, Buenos Aires, New York, Puerto Vallarta, Amsterdam, Toronto, Williamsburg, Santiago, Hong Kong, Prague, Istanbul, Rouen, Lima, Trondheim, Lombardy, Rome, Munich, Johannesburg, Los Angeles, Kaunas, Tasmania, Milwaukee, Naples, Denmark, Athens, Chicago, you get the idea).
a global street arts community, connected by the Internet (and festivals, like nuart in Norway, the cans festival in London, and fame festival in Italy), may be an outgrowth of what came out of San Francisco in the 1990s, and New York in the 1980s, but seems to be something new: street art 2.0.
She is presumably referring to Barry McGee and the mission school. Roberta identified Barry as "a talented street artist from San Francisco" and noted that he "offers a cheerful reinterpretation of 80's graffiti art" in her review of his 1999 show @ Deitch. she further contended "although drips are plentiful among these images and some parts are casually painted out, Mr. McGee does not partake of the looseness and speed associated with graffiti art. His notion of finish is refined, even tight." in her review of his 2005 show, she identified "Barry McGee, who helped ignite the street-graffiti art renaissance that emanated from San Francisco in the 1990's."
in thinking about this over the past few years, i've tied "street art" to the global community that was connected through the web by sites such as Wooster Collective. the recent street art exhibit at the Tate Modern was practically curated by Wooster: four of the six artists/collectives (Blu, Faile, JR, and Os Gemeos) are stars of the blog. Moreover, the "long weekend" corresponding to the show also included Graffiti Research Labs, another Wooster Collective favorite, and a Wooster talk.
as a long time follower of Wooster, i have enjoyed watching the street art community flower globally. looking through a search of their "seen on the streets" postings turns up work from around the world (starting with Ann Arbor, Paris, Antwerp, Washington D.C., Bloomington, Manchester, London, Tehran, Buenos Aires, New York, Puerto Vallarta, Amsterdam, Toronto, Williamsburg, Santiago, Hong Kong, Prague, Istanbul, Rouen, Lima, Trondheim, Lombardy, Rome, Munich, Johannesburg, Los Angeles, Kaunas, Tasmania, Milwaukee, Naples, Denmark, Athens, Chicago, you get the idea).
a global street arts community, connected by the Internet (and festivals, like nuart in Norway, the cans festival in London, and fame festival in Italy), may be an outgrowth of what came out of San Francisco in the 1990s, and New York in the 1980s, but seems to be something new: street art 2.0.
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